ProjectSAM Symphobia 4 Pandora v1.1 [KONTAKT]

FILE DETAILS
P2P | 17 October 2021 | v1.1 UPDATE ONLY | 404 MB | 03 March 2020 | 70.3 GB


FULL INFO BELOW:

Give your action, sci-fi, and horror scores a blockbuster boost with the fourth volume in ProjectSAMs acclaimed Symphobia Series. Symphobia 4: Pandora lets you summon rousing cinematic risers, foreboding falls, and earth-shattering crescendos with unmatched ease and flexibility.

ADAPTIVE ORCHESTRAL TRANSITIONS & EFFECTS

Effortlessly sync risers, rolls & crescendos to your sequence with Adaptive Sync
Over 140 GB of orchestral ensemble recordings covering strings, brass, woodwinds & percussion
Generate thrilling scores with powerful, fully customizable sound design tools

TENSION AND DRAMA ? FROM THE DARK SIDE

Give your action, sci-fi, and horror scores a blockbuster boost with the fourth volume in ProjectSAMs acclaimed Symphobia Series. Pandora lets you summon rousing cinematic risers, foreboding falls, and earth-shattering crescendos with unmatched ease and flexibility. Pandoras innovative Adaptive Sync quickly and effortlessly matches its huge library of articulations and effects with your sequence ? so your next deadline neednt be a nightmare. Plus, fully-customizable sound design tools help you quickly sculpt your desired timbres.

INTRODUCING ADAPTIVE SYNC

Pre-recorded crescendos and rolls sound great. But they used to have a disadvantage: they were not very flexible. Any composer will recognize the trial-and-error process of nudging a crescendo note around until it ends in the right spot. Its a tedious task that most of us would rather skip if we could.

Symphobia 4: Pandora is packed with transitional samples ? sounds that progress dynamically or directionally over time ? ranging from powerful brass crescendos to dissonant string risers. These samples all have one thing in common: a distinct, musical ending or climax.

With Adaptive Sync, you can simply set the number of beats or seconds you need the crescendo, roll or riser to be. Tapping from a vast pool, Adaptive Sync automatically picks the best matching recording from its database and intelligently adjusts it to match your hit point exactly. Similarly, you can very quickly time a crescendo or roll with the next downbeat*. If you move a note backwards or forward, the engine will automatically switch to a better matching recording if needed. If you change your tracks tempo, Adaptive Sync will adjust accordingly.

BOLD ARTICULATIONS & HAUNTING EFFECTS

Symphobia 4: Pandora offers a vast selection of big & bold, playable ensemble articulations, ranging from cellos and basses to a massive 30-player low-range Tutti Orchestra. For all crescendos and swells in there, Adaptive Sync is ready to assist.

The articulations have all been selected and recorded to add unprecedented oomph to your existing orchestral template. Symphobia 4: Pandora is the ultimate cinematic finishing touch.

A selection of the instruments offers exciting, optional sound layers that can be mixed in with the main articulation on-the-fly. For example, the Tutti Orchestra crescendo instrument displays controls for quickly adding gran cassa, timpani and cymbal rolls. Similarly, you can quickly add a sub sweetener to the bass drum and tutti percussion instruments.

The Symphobia Series has always been the go-to place for orchestral effects. For Pandora, many a bone was chilled during the effects sessions. The library packs more orchestrated effects than ever, ranging from eerie violin textures to loud brass stabs. And with Adaptive Sync and Sound Design Mode, the recorded effects are now more flexible and customizable than ever. For thriller, horror and sci-fi scoring, Symphobia 4: Pandora is an absolute must-have.

Pandoras dedicated Effects Module in combination with its Sound Design Mode gives you the power to turn any orchestral sound completely upside down, creating dark soundscapes and ominous textures utilizing the synchronized stutter, pitch envelope and other tailored effects.

SOUND DESIGN MODE

Clicking the triangle icon activates Sound Design Mode. This allows you to directly manipulate a selection of the mapped samples and highly customize your preset using the waveform control. You can jump-start sample positions, reverse playback, reverse sync to downbeat, time-stretch and more. These features are available even for instruments that use disk streaming by default. We keep building on the foundation of Sound Design Mode in future library updates**.

Clicking the triangle icon again instantly takes you back to the safety of Orchestral Mode.

PULSES

Symphobia 4: Pandora features both Cluster Pulses and Tonal Pulses.

Cluster Pulses are idiomatic note combinations that add instant cinematic drive to your track. Each key holds a different recorded cluster of notes for the strings, brass and woodwind sections. For each pulse, a matching crescendo and staccato crescendo phrase is available. These work great as intros and outros, particularly when combined with Pandoras Adaptive Sync crescendos and rolls. Tonal Pulses are available for low and mid strings, performed in octaves and in unison, respectively. The Tonal Pulses offer additional, synchronized synth layers that can be mixed in with the orchestral pulse on-the-fly.

All pulses have been recorded in 4ths, 8ths and 16ths repetitions. The Pandora interface allows you to switch mid-pattern, with synchronization completely intact.

RISERS

No cinematic library is complete without a solid collection of tension-building string risers. For Pandora, multiple recording sessions were dedicated solely to this, covering lengths from 2 to 15 seconds in different playing techniques and dynamic arcs, including arco, accelerating staccatos, harmonics and sul ponticello tremolo. Here too, matching up the risers with your sequence is a breeze thanks to Adaptive Sync.

You can use the orchestral risers in their original form, or give them the trailer treatment by adding an idiomatic, accelerating stutter effect and some saturation using Pandoras Effects Module. A number of Snapshots are included as inspiring examples. Pandora also includes a set of suspenseful string downers.

COMBOS

Mind your volume!

Combining the librarys individual articulations, effects, pulses and percussion, Pandoras Combos hold some of the biggest orchestral ensembles youve heard yet. All elements inside a Combo are able to directly communicate with one another, allowing for musical wizardry such as the on-the-fly aligning of a col legno hit to a brass crescendos climax. Or a big tutti diminuendo at the end of a riser.

Combos featuring multiple Adaptive Sync instruments offer the option to link their sync settings. This allows you to set the length and timing of the entire ensemble with a single set of controls.

NEW v1.1 2021-01-27
- IMPROVED: Streamer animation more accurate when multiple notes are pressed.
- IMPROVED: Risers can now also be synced using sample offset to avoid too much time-stretching. Default sync method is now set to Automatic.
- IMPROVED: Sound Design mode now stores its own attack and release values.
- IMPROVED: Default Pulse release times shortened for better connection from one pulse to the next.
- : Attack & release did not work in Sound Design Mode for some instruments.
- : Q button didnt always show correct saved state after loading a Pulse instrument.
- : Pulse RT notes sometimes were too loud compared to the pulse loop or did not trigger at all.
- : Various small scripting bugs.

v1.0.7 IMPROVED and

Improved: Significantly script optimization offering shorter loading times and better UI responsiveness: Pulses dont cut off anymore when playing connected notes: Optional percussion layers dont steal voices anymore from main instrument: Octaver now work more reliably



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